座位，相約向春是安徽浪漫且矛盾的意象，它似乎有一種冰冷的而行疏離感，同時(shí)又帶有飽滿的合柴情緒和溫度，不同的座位座位會(huì)與人產(chǎn)生不同的情感聯(lián)結(jié)。

Seats are 相約向春the image of romance and contradict, which seem to have a cold sense of alienation, as well as full of emotions and temperatures. Different seats will produce different emotional connections with people.

1/ 「作品闡述」

座位，是安徽浪漫且矛盾的意象。

藝術(shù)家關(guān)注到“座位”這一日常生活中隨處可見(jiàn)的而行對(duì)象源于一次觀展經(jīng)歷：在一個(gè)昏暗狹小的展廳里，一把椅子就那樣孤零零地?cái)[放在中間，合柴似乎在與墻上的座位展品對(duì)話，寂靜之中感受到一種詩(shī)意的相約向春浪漫。

藝術(shù)家記錄她在不同場(chǎng)景下看見(jiàn)的安徽座位：路邊、美術(shù)館、而行咖啡廳或是合柴某個(gè)角落，作品意在表達(dá)不同形態(tài)下座位本身的座位細(xì)膩，同時(shí)也在喚起觀者的記憶點(diǎn)。而神秘的藍(lán)不僅僅是一種顏色，它還具有“無(wú)法到達(dá)的遙遠(yuǎn)空間”的含義，這也是此次展覽想要傳遞的情感：每一個(gè)座位背后都有著屬于他的故事，而你我便都是那塑造故事的人。

The reason why artists pay attention to "seats", an object that can be seen everywhere in daily life, comes from an exhibition experience. In a dim and narrow exhibition hall, a chair is placed in the middle of it alone, which seems to talk with the exhibits on the wall. A kind of poetic romance can be felt in the silence.

The artist will records the seats she sees in different scenes, including the roadside, the art gallery, the cafe or a corner. Works aim to express the delicacy of seats in different forms, while evoking the memory points of viewers. The mysterious blue is not just a color, it also contains the meaning of "unreachable distant space". It is the emotion of this exhibition: every seat has its own story, and we are those who shape the story.

2/ 「關(guān)于作者」

朱丹彥，獨(dú)立藝術(shù)家、插畫師。

作品從平淡瑣碎的日常事物出發(fā)，探索靜物的敘事方式，捕捉細(xì)膩的情緒與質(zhì)感。

希望在無(wú)趣的碎片里感受有趣。

創(chuàng)作靈感通常在散步中出現(xiàn)。

The work starts from ordinary and trivial daily things, explores the narrative way of still life, and captures delicate emotions and textures.

Inspiration usually occurs during a walk.

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3/ 「關(guān)于作品」

18幅畫作。

《三缺一》

Short of a Fourth

《和美術(shù)館》 

He Art Museum

《等車來(lái)》

Waiting for the Bus

《安保人員不在場(chǎng)》

Security Guards Are Not Here

《小區(qū)角落里的兒童座椅》 

TheChild Seat in the Corner of the Neighborhood

《公園散步》 

Walking in the Park

《午后的阪急列車》 

Osaka Train in the Afternoon

《早餐店尚未營(yíng)業(yè)》

The Breakfast Store Is Not Open

《沙面咖啡廳》 

Shamian Cafe Shop

《京都喫茶屋》

Kyoto Tea House

《甜品店窗臺(tái)》

Window Sill of Dessert Shop

《童年記憶里的小藍(lán)椅》

The Little Blue Chair in Childhood Memory

《路邊的小木椅》

Little Wooden Chair by the Side of the Road

《路邊的小吃攤》 

The Roadside Food Stall

《露天停車場(chǎng)》

Open Parking Lot

《與光對(duì)話》

Dialogue with the Light

《與李禹煥對(duì)話》

Dialogue with Li Yuhuan

《長(zhǎng)洲島的早餐店》 

Breakfast Store on Cheung Chau Island

4/ 「關(guān)于策展團(tuán)隊(duì)」

藍(lán)色美術(shù)館。

 天空、海、藍(lán)以及藝術(shù)，藍(lán)色美術(shù)館是一個(gè)正在成長(zhǎng)的，關(guān)注青年藝術(shù)家的藝術(shù)平臺(tái)，致力于推廣優(yōu)質(zhì)的藝術(shù)文化及設(shè)計(jì)作品，促進(jìn)藝術(shù)的傳播與交流。

Sky, sea, blue and art. The blueartgalleryis a growing art platform that focuses on young artists, and is committed to promoting high-quality art, culture and design works, and promoting the spread and exchange of art.

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5/ 「關(guān)于裝置」

藍(lán)色椅子。

一把椅子就像一個(gè)獨(dú)立的生命體，他們擁有情感和呼吸。

藍(lán)色椅子旨在呼吁大家思考椅子與自身和環(huán)境的關(guān)系。

A chair is like an independent life, they have emotions and breath.

The blue chair is designed to call on people to think about the relationship between the chair and themselves and the environment.

關(guān)于SEAT ART

SEATS ARE THE IMAGE OF ROMANCE AND CONTRADICT

WHICH SEEM TO HAVE A COLD SENSE OF ALIENATION

AS WELL AS FULL OF EMOTIONS AND TEMPERATURES. 

DIFFERENT SEATS WILL PRODUCE 

DIFFERENT EMOTIONAL 

CONNECTIONS WITH PEOPLE.

IT IS THE EMOTION 

OF THIS EXHIBITION:

EVERY SEAT HAS ITS OWN STORY

AND WE ARE THOSE WHO SHAPE THE STORY.

主辦方：合柴1972

出品人：汪青文

藝術(shù)家：朱丹彥

策展團(tuán)隊(duì)：藍(lán)色美術(shù)館

展覽統(tǒng)籌：李?yuàn)檴?/p>

展期：2022.11.18-2023.2.6

地址：安徽省合肥市包河區(qū)合柴1972文創(chuàng)園（藝術(shù)長(zhǎng)廊）

Tips：展覽不設(shè)開閉館時(shí)間，以園區(qū)開放時(shí)間為準(zhǔn)，如有疑問(wèn)，請(qǐng)?zhí)砑雍喜?972微信公眾號(hào)，詢問(wèn)小柴客服。